The Art of Story

A story at dinner or on a first date

Short stories for good company

Social stories are short, and they're half of a conversation. The ones that work last about a minute, have one vivid detail, and leave room for the other person to tell theirs.

The shape

About a minute, one sensory detail, then hand it back

  1. Start in the middle. Skip the background. "So I'm on a ferry with forty schoolkids" beats ten seconds of context.
  2. One sensory detail. What it looked, sounded or smelled like. One is enough to put them there.
  3. The turn. The moment it went wrong, or got funny, or got strange.
  4. Land it. A line on what you made of it. A wry line works better than a moral.
  5. Hand it back. Ask something that invites their version: "Have you ever had a first day like that?"

How it can sound

My first week in a new job, I walked into what I thought was the lift and it was the cleaners' cupboard. I stood there in the dark next to a mop for a good ten seconds, because two people from my new team had watched me go in and I couldn't face coming out. When I did, one of them just said, "Going down?" We've been friends ever since. Have you ever had a first day like that?

The one detail to find

The detail that gets the laugh or the wince is usually physical: the mop, the smell, the sound.

Leave out

The long version, anything that needs a lot of background, and your biggest personal story on a first date. Go a little deeper each time you meet.

Build it

  • Emotional Arc Mapper: Map where the story rises and turns, and check it has at least one sensory detail.

Go deeper